Bill's new album 'Four' is available NOW on CD & LP.

If Im recording, I like to use .014s. Its one Ive built up with whatever vile stuff they use. His only pedals are a TC Electronic Hall of Fame Reverb and a Boss BD-2 Blues Driver.

Freddie Green played a Stromberg Master 400 (blonde) and a Stromberg Master 300 (sunburst).

The result is the Carvin HF2 and HF2 Fatboy. I'm pretty sure it was right after the distortion stuff, before the delay and reverb. In an interview, he says that you make the sound with your hands and you can fine-tune it with your gear.

He went on to work in a variety of contexts, notably as a participant in the Downtown Scene in New York City, where he formed a long working relationship with composer and saxophonist John Zorn.

With Lucinda, I don't have to hold back anything. Bill Frisell owns several Fender Telecasters, which he modifies heavily. Django liked to use the thickest guitar picks he could find, most of the time using natural tortoiseshell. The Ibanez JP20 was discontinued in 1991 and suffers a reputation for a thin tone due to its pickup placement (too much in the middle, not close enough to the neck). The Linda 6 is equipped with a Takamine pickup and was the guitar used to record Lonely Woman on the Rejoicing album. Its called AC30, TB model.

BILL FRISELL: Going to my guitar and just playing my guitar. I remembered the dents I put in that case.

The music doesn't stay the same. Larry has a second 1968 Gibson ES-335, which was given to him by a fan. I got a standard box.

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If you get used to playing a headless guitar, its really hard to go back to a headstock.

Bringing in original work was scary. This guitar got stolen in 1965 while on tour with Jack McDuff in Chicago, along with the rest of the bands instruments.

That same year, he was almost permanently sidelined by colorectal cancer. Whats kind of seductive is that its all still this basic Telecaster and I can get comfortable with the scale, size, and shape of the guitar to where it feels at home, but from one to another, putting certain pickups in certain guitars, there are amazing differences.

Alvin had started his musical association with John Doe and Exene Cervenka from X in 1985, when he joined them in folkie spinoff the Knitters for the album Poor Little Critter on the Road, and he pitched in again for the follow-up, The Modern Sounds of the Knitters, 20 years later. They did it reluctantly. John Scofield uses Dunlop Delrin 500 2mm picks. He would not play unless he could use his own gear. Its a beautiful guitar made out of exotic woods, but very heavy. John Scofield uses the old Vox AC30 models as well as the re-issues until 2006. Gibson L-4 with a Charlie Christian bar pickup. I like the reissues up until about 2006 and through the 90s.

Ibanez started making these guitars in 1977 and they are still produced today.

Some connections are deeply personal, like Surfer Girl" or Pipeline"songs that have been around my whole life.

Pat Metheny used his Gibson ES-175 for almost 20 years. Dunlop Cry Baby Wah, Strings and Picks Its the guitar used on the song, Valley Arts small body acoustic based on a Martin D-28.

Its one of the reasons for his pointed attack and ultra-responsive tone. Bill Frisell's Gear - Premier Guitar Premier Guitar features affiliate links to help support our content. Yeah, you know it has so much what I call headroom that the transience just keeps going through even when you play softly and when I play harder it doesnt compress like a lot of the amps will stop a sound, it stays open. Pat has two sets of GHS signature strings: Pat Metheny was one of the pioneers of using electronic equipment in his music and until now hes always been looking for innovative instruments. I got involved with Rick Jones, one of the owners of Acoustic Image, and they provide everything. He liked the Marshalls for single-note soloing, but not for chords because they distorted the chords.
Web"Mary Halvorson is one of the most acclaimed guitarists of her generationa virtuoso improviser, distinctive composer, arranger and a deep student of the jazz guitar. The Fender Jazzmaster was first introduced in 1958 and was originally marketed at jazz guitarists. Stefano's music was challenging, there are more chords, and we had never played together before, but hopefully you can get past that and just play.

Takamine NP 65C (currently known as the P3FCN), Scofields nylon-string guitar of choice. And so, what Ive done for years is, I use a thumbpick and on my index finger I have an acrylic nail.

J Rockett Audio Designs, releases the most versatile Archer to date: The Archer Select. Currently you have JavaScript disabled. Web"Mary Halvorson is one of the most acclaimed guitarists of her generationa virtuoso improviser, distinctive composer, arranger and a deep student of the jazz guitar. But all of my changes have been organic. Electro-Harmonix Nano Pocket Metal Muff a really extreme fuzz, Catalinbread Katzenkonig Distortion Guitar Pedal, Digitech PDS-8000 Echo Plus 8-second delay, WrightSounds Fuzz-Stang (made in Portland>, Way Huge Electronics Ringworm Ring Modulator.

Bill Frisell may be the biggest gearhead in jazz. I told a friend of mine, Artie Smith, who is one of the great guitar guys in New York, that I wanted to get a Strat, but didnt want to spend 15 grand on a vintage one.

Larry Carlton uses DAddario 010-052 strings for electric and DAddario 011-052 strings for acoustic guitar. WebAbout This Listing. Gypsy Queen, a song from Gabors debut album, later became a hit for Carlos Santana. Some of the string sets Freddie Green was known to use: Freddie green always used a plectrum, reportedly standard a tortoiseshell plectrum. Electro-Harmonix Nano Pocket Metal Muff Guild dreadnaught cutaway (permanently in Nashville tuning). In an interview, Wes commented that he usually practiced with an amp because he would hear all the bad noises that he wasnt aware of when he practiced unplugged. It made me think I should do a whole record of these tunes.

The Top 5 Effect Pedals Used by Jazz Guitarists, One of them is aFender Telecaster Relic with, Way Huge Electronics Ringworm Ring Modulator. Bill Frisell uses Dunlop Tortex M3 Jazz Picks, and Gibson flatpicks (teardrop-shaped). And therefore thats what I used. With their dirty roots in gut-bucket American music, perhaps they were most akin to the Delta-blues-inspired Gun Club, who were also on the scene. But, rather than simply playing, he seems to be channeling every foundational 6-stringer from the 1940s through the 1960s. Allan Holdsworth was a big fan of headless guitars. I was totally embarrassed to buy it because it has a fake cigarette burn in it and screws that have been rusted and two kinds of rubbed-off finish. This Aronson-built guitar was, in turn, a copy of Mikes original 50s Telecaster which he got from Danny Gatton, who got it from Roy Buchanan. That changed when he went on tour in the USSR and had to play on a Polish guitar.

DAngelico New Yorker the guitar used on the album with John Coltrane. Its easy to tune and after having been schlepped around and played for so many years, its as if it knows just what to do. Where a lot of times on a bus, well have our own amps, and I have an older AC30 that I really like. Its visual beauty is a continuous reminder of how it originally hypnotized and how it will always do the same. Electro-Harmonix 16-second delay Bill owns 2 of these, but both are broken. Once I start singing, I dont want to have to worry about what my feet are doing, he says. It didnt give me instant sound. I am supporting her, I guess, but it feels like we are in the same world. In a way, that's a precursor to Guitar in the Space Age. I sold the VG-8 out of desperation. The only way a guitar could be heard was by playing chords and playing them hard. Stackabones.

amzn_assoc_marketplace = "amazon"; Another inspiration for this record was when Chuck Helm, the director of the Wexner Center in Columbus, Ohio, suggested we do the music of Speedy West and Jimmy Bryant. Grant Greens Epiphone Emperor had the same Gibson McCarty pickup as his Gibson L7. Combine that with a 3 packet a day smoking habit, and it no wonder he wore his heart out; but what many fail to mention, was Wes was a very decent considerate and selfless soul, with no rough edges, not even a plectrum, and worked himself to death quite literally in my opinion on behalf of his family and his own aspirations to playing extremely well by basically the traditional method of repertoire and imitation of preferred qualities, suggesting he might of resorted to the occasional sleep control medications very culturally accepted and common then in the Sleeping pill 50s America like Bennies and the other Drines also very bad for the heart, to cope with his huge work load; as he was often seen falling asleep due to fatique; especially before Julians plug. So yeah, this has been clean and sounds wonderful. Joe Pass is regarded as one of the best jazz guitarists that ever lived.

Hi Roy, Congrats on that amp. He wasnt very interested in guitar gear and had a simple approach towards his instruments. John uses the Ibanez CS9 chorus pedal with both controls cranked open to get a typical Leslie effect. Just scrape the surface of the 67-year-olds cataloghis recent releases, the compilation From an Old Guitar: Rare and Unreleased Tracks and the reissue Eleven Eleven, are a good place to startand the American spirit resonates through what youll find. Bill Frisell, who's my biggest guitar influence, has used a lot of gear through the years, but go to this link for a lowdown on his setup: Famous Jazz Guitarists and Their Guitar Gear.

His use of chord voicings, and the movement he creates between Major and minor chord tones. Working as the Third Mind, Alvin and cohorts Victor Krummenacher, Michael Jerome, and David Immerglck tore a page from the paisley textbook and covered songs by the Butterfield Blues Band (East-West), Alice Coltrane (Journey in Satchindananda), the 13th Floor Elevators (Reverberation), and other twisted troopers. The guitar is almost 30 years old and has tremendous beauty and great sustain.

Boss PSM-5 Power Supply and Master Switch, Roland GR-300 Mikes first guitar synth, Roland GR-50 Mike used this guitar synth in the 80s. Its not as open as an amplifier would be but it doesnt have any of the ugliness that a lot of other pedals have. I think I was using the tremolo on that. By the time I got an electric guitar, it was past the surf music era. ADA Pitchtraq a programmable pitch transposer and harmonizer. Guitars in General Bill Frisell's SG ColorBlindJames Jul 10, 2019 ColorBlindJames Silver Supporting Member Messages 740 Jul 10, 2019 #1 He posted this 4 part story of the SG he has been playing lately on his Instagram page: Guitar Nerd Alert!! Which guitars are featured?

Not knowing what's going to happen when you start playing, and not talking about it beforehand, excites me. It was later owned by George Benson and is now owned by Pat Metheny. We may earn a commission on any affiliated purchases. My brother Phil and I were little record collectors, collecting 78s and 45s, so we loved blues records, and we figured out that not only were some of these people still alive, but they were playing a mile away. Required fields are marked *. It belonged to his collection for many years, until he sold it to guitar builder Rudy Pensa, who sold it in his shop. Jim Hall owns a couple of Polytone Mini-Brute amps and uses them at local gigs. He used 2 Hartley Thompson 100w amps (later 200w) with 4 Yamaha 412 cabs (Yamaha and Celestion GI2 speakers). This Gibson Es-335 is Larry Carltons main guitar which he purchased new in 1969. Before he used Dunlop medium picks. Alvins songs evoke the open expanse of the old frontier and its modern landscape, as well as the heat and diesel of factory towns and the working-class people who occupy them. I do that because it gives me much more snap when the pick comes off the string. According to Pat one of the reasons he began playing acoustic guitar is because of a 6 string made by Linda (called the Linda 6 by Pat). The one thing I will say is that Im very lucky, in that Ive had fans that have stuck with me through a lot of changes.

1961 Gibson L-5 CES (this guitar was previously owned by Wes Montgomery, and later George Benson. The D-45 is pretty pricey, they go from $7000 to $40000. If you look closely at that guitar, youll see where there is a slash across the upper cutaway.

WebBill Frisell's gear and equipment including the Vox AC10C1 10W 1x10 Tube Guitar Combo Amp and Fender Stratocaster Electric Guitar.

George Benson uses Thomastik GB112 Medium Light George Benson Custom Flatwound Strings. Greg played a lot of guitar on this record, so there are a couple of places we overdubbed the steel, but we were mostly playing together in the room. But once I got used to it, our relationship together deepened. His main influences are Charlie Christian and Django Reinhardt. Transistor amps are clean up to a certain point, and after that, they go into a horrendous type of distortion. Allan Holdsworth has an Ibanez signature model called the Ibanez AH-10, which he used in the 80s.

When people are really listening and playing together, it feels the sameit doesn't involve switching gears.

Some other guitarists that used an ES-175 include Wes Montgomery and Pat Martino in their early years, Joe Diorio, Jimmy Raney, Toots Thielemans, Joe Pass, Herb Ellis, Jim Hall, Steve Howe, B.B. Frisell owns 3 guitars built by Steven Andersen. Got any insights that you have figured out over the years from listening to Mr. Frisell that you wouldn't mind sharing? The other one he uses for longer delays. Over 20 years ago, Buster Williams, the bassist, turned me on to it, and Ive never looked back. Allan Holdsworth approached Yamaha with the idea of putting a rack full of delays into a box.

The traditional way of getting sustain is using distortion, but Allan Holdsworth never liked using distortion to get sustain. Gretsch Guitars built a guitar for him that he used at least well into the late 60s. After having recorded more than 50 albums, either as a leader or with others, it's understandable that an artist might want to look back, and Guitar in the Space Age is something of a musical memoir. His use of chord voicings, and the movement he creates between Major and minor chord tones. What's going on inside my brain and body is the same. My whole life its been what saved me, and its whats saving me right now.

He uses foam in the body of the guitar around the upper f-hole to reduce feedback. Django Reinhardt played acoustically most of his life, but on his tour with Duke Ellington, he used an Epiphone Electar Dreadnaught. This nylon-string flamenco guitar is specially designed by George Katechis Montalvo for Scofields album Quiet. And there was AM radio, which, of course, continued into the 60s. Heres an overview of the guitars Pat Martino used throughout his career, in chronological order. Thats not an ES175 hes playing on Movin its an L5 with a Florentine cutaway. It has that ugly Florentine that is not circular but oval and selector switch on the lower side; in fact it might be a custom Byrdland with a new Tailpiece and that dreadful Florentine you could park a Buick in and that looks like a slack jawed bar fly. Other artists Leisz has played with include Joni Mitchell, Sheryl Crow, Dave Alvin, k.d. George Benson is a phenomenal guitar player with a very impressive guitar technique and musicality. I usually use a .022 for the third string, but I also use an unwound .019 so that I can bend it a bit to sound like a horn. 1955 Gibson Les Paul Special in TV yellow Larry used this guitar on tour with Stanley Clarke and Billy Cobham. This tube amp has 4 10-inch speakers. Pat uses it to create synth-type sounds, on Imaginary Day for example. The American side has plenty of headroom, both sides have access to a wonderful spring reverb unit.

Lately you've been playing on some pop records, including ones by Shawn Colvin and Lucinda Williams, as well as Stefano Bollani's jazz release on ECM. Dunlop medium Folks have been asking about the SGheres the story from Bill in FOUR parts to fit on Ned Steinberger, a friend of Allan Holdsworth, is a luthier who is known for his minimalist headless guitars and basses. amzn_assoc_search_bar = "true"; If you want true tone, you need tubes, and tube amps tend to be hefty. The Mustang didnt really appear on records until the second Slash album, Non Fiction. And for 85s Hard Line, Alvin played a 51 Broadcaster owned by the bands guitar tech, who went by Tornado. I wanna be the best as I can be on guitar. Southern California was wide open, musically.

Thank you ! It was extremely difficult, Alvin allows. This guitar appeared on the cover of his albums Strings (1967) and Baiyina (1968).

Dave Alvin enjoys the magic of playing guitar with his trusty 1964 Fender Stratocaster. He also has a Grammy, for his 2000 album Public Domain: Songs from the Wild Land, and two more nominations, and starting in 1995 began publishing his writings: two collections of poems and lyrics, and last years New Highways: Selected Lyrics, Poems, Prose, Essays, Eulogies, and Blues, which covers all those categories as well as poignant autobiographical tales.

His use of chord voicings, and the movement he creates between Major and minor chord tones. He has 6 or 7 of the older RATs. Ibanez Custom Shop George Benson Signature Model. See all about Bill Frisell at Hillman Center in Pittsburgh, PA on Sep 7, 2013. It is the best ABY box that I have used and the transformer isolation makes it easy to combine any two amps without noise. The Ibanez PM100 is one of Pat Methenys signature guitar models and is his current main guitar. He showcased local performers at his teen dances. Jim Hall bought his Gibson ES-175 second-hand in 1956 from studio guitarist Howard Roberts. I played mostly guitar on the basics and we overdubbed the steel to give it some of that space age" feel. The Blasters back up the great blues shouter Big Joe Turner in 1983 at Club Lingerie, a Sunset Strip venue that was an essential part of the L.A. punk and alternative rock scene. Allan used several pieces of Mesa Boogie amps over time, running either a Mark III, Quad Preamp, or .50 Caliber through various combinations of custom enclosed speaker boxes. After 4 years of prototyping, the guitar got approved by Jim, and the Sadowsky Jim Hall signature model was born. The Hartley-Thompson doesnt do that. 10-07-2008, 01:00 PM #3. It is said that Wes never played unplugged. See all about Bill Frisell at Rex Theater in Pittsburgh, PA on Mar 2, 2010. However, The Jazzmaster wasnt embraced by the jazz musicians, but it became popular amongst surf rock guitarists.

My whole life its been what saved me, and its whats saving me right now. And then Brownie McGhee would use a thumbpick. Hilton Volume Pedal Larry uses two of these custom-built volume pedals, one for eclectric, one for acoustic guitar. Thats when Ibanez brought me this brand-new AS-200 to try, and I said, Man, this plays great and feels great it feels a lot like my 335. I began playing it on that tour.

Allan has a very unique sound and musical interpretation.

It is used on the album, Ovation 1687-8 Adamas appears on the cover of Pats book. El Paso by Marty Robbins, a lot of the Coasters records, Elvis, of course, and Carl Perkins Blue Suede Shoes. There was a plethora of story songs in the 50s, in a variety of genres. But it eventually got to where the rosewood on the fretboard was just a veneer, so one of my dear friends, Drac Conley, built me an exact copy. Rocktron Intelliflex a multi-effects unit for guitar.

WebWilliam Richard Frisell (born March 18, 1951) is an American guitarist, composer and arranger.One of the leading guitarists in jazz since the late 1980s, Frisell came to prominence as a stalwart for ECM Records. Neds company, Steinberger Sound, was bought by Gibson in 1986. Or I will play chords with only the index finger or use the skin of the middle finger to strum if Im doing a tender ballad..

Allan experimented with a Chapman Stick (one without bass strings).

Two words. Bill Frisell I love his vibrato. The gauge of the top string is .011 and the bottom is .050 or perhaps a little heavier. I dont know, I may have been able to get used to a Fender but there was something about the subtlety of that amp that I liked. Frisell was arguably the first electric guitarist to completely redefine the instrument since Jimi Hendrix. Grant said the DAquisto plays easier and sounds better than any guitar he has ever had. He anchored them there so tensely that it was like there almost wasnt a break in the joint. Sources: Premiere Guitar Interview, Guitar World Interview, Guitar Player Interview. 150: the guitar cost $150, EH-150 amp and a 15-foot cable included. On this one, Larry changed the pickups to a matched pair of 1961 Gibson PAFs. SO I found a Standel ImperialSuper XV. Sound Thinking With Soul Asylum Bassist and Engineer Jeremy Tappero, Builder Profile: Seymour Duncan's Maricela "MJ" Juarez, Jazz Bassist Scott Colley Talks About His Early Days, Dave Alvin: The Guitar Is a Magical Thing, J. Rockett Audio Releases the Archer Select, J. Rockett Audio Designs Archer Select Boost/Overdrive Pedal, Replica of his 64 Strat built by Drac Conley (live), Left footswitch when engaged swaps the diodes with 6 possible selections including the diodes found in the Archer, iKon, and J Mod Archer plus additional diodes arranged from lowest to highest gain settings, DI with British 4X12 style speaker simulation.

His most famous guitar model is the L-series guitar, made of a graphite and carbon fiber mix. The result is the Yamaha UD Stomp.

Amidst the cascading melodies, pointed accents, and transcendent dialog of his solos are flashes of everyone from Carl Hogan to Pete Cosey. The guitar went into a Fender Super Reverb and a Gibson amp, like Bill's GA-18.

The Ibanez AS200 is the longest-running guitar model in Ibanez history. I used Strymon pedals: the El Capistan for delay, the Lex Rotary pedal, and the Flint reverb/tremolo.

Kenny Burrell is a legendary jazz guitar player who is known for his recordings on the Blue Note label. Ive been using the Kemper for this last year and its been an incredible new development for me and my life as a musician.

Bill Frisell has been using one guitar for the majority of his projects lately: a J.W. He uses just a little bit of distortion, but with the tone (filter) knob all the way up. On Have a Little Faith, Just Like a Woman" was something I'd been hearing since I was in high school, but I also recorded a Madonna song I had just heard recently because I thought it sounded good. Black-built Jazzmaster with Seymour Duncan P-90. Mike Stern grew up playing blues and rock on Fender Telecasters and Stratocasters, and he stuck with Tele-style guitars when he started playing jazz. Are you wondering how to get a good jazz guitar tone? Although they produced a wide variety of instruments, they are particularly known for the Modle Jazz (changed to Modle Django Reinhardt later), made famous by Django Reinhardt. Finally, the more active I became and have become, the more difficult it became to depend on personal items.

When Maccaferri left the company, Selmer made some changes to the model, most notably the introduction of the oval soundhole and the lengthening of the neck to 14 frets.

The Los Angeles session ace discussed his unique relationship with Frisell before flying off to alternating tours with both the modern guitar legend and Jackson Browne. You know, feel all the openness.

Jim Hall used picks with varied thickness, depending on what he was playing. Bingo, Wes Montgomery borrowed this guitar to record his first album (The Wes Montgomery Trio) on Riverside Records. I love that guitar, even though sometimes I dont touch it for months. Ive stuck to my guns, taking, basically, the same idea we had when we started the Blasters to the extreme: 'Lets see how long we can do this and not work a day job.'. The Stromberg Master 400 is very hard to find these days, and if you find one, expect to pay at least $40,000. I actually liked it a lot.

Black T-style with a Mastery Bridge and Callahan pickups.

This is the guitar that got him his Mr. Listening to him play live, its hard to decide. Django only used one brand of guitar, Selmer guitars, typical gypsy jazz instruments with an oval soundhole and a high action. Then, I had this other problem: I was clumsy with a flatpick. Freddie Green played a sunburst Emperor until about 1940. Needing a new instrument to continue touring in Chicago, he asked his family for financial help and bought a Gibson ES-175 like the one pictured on Wes Montgomerys The Incredible Jazz Guitar album.

The other amp he used for his lead tone.

Stackabones. It is said that Joe didnt really like his Ibanez signature guitar and he didnt perform on it that much. He screwed a piece of plastic into the top of the guitar to keep the bridge from moving. His sound, which is produced by a very basic setup, can be described as natural, unpolished, silky, and rich. It took me a while to get over my gun-shyness about taking it out on tour and all that. For the steel, I used an active, light-beam Telonics volume pedal.